A DECONSTRUCTIVE READING OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE ROAD
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A DECONSTRUCTIVE READING OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE ROAD
PROJECT TOPICS AND MATERIALS ON A DECONSTRUCTIVE READING OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE ROAD
ABSTRACT
African literary elites have responded to the call by Africans to
free the continent from all forms of colonial and slave mentality. While
others have responded overtly, Soyinka does so covertly. As a result,
over time, critical commentaries on his works have been on the mythical
presentation of the Yoruba world as a microcosm of the entire African
continent and the post-colonial experience. While these commentaries
cannot be totally erased, this research exposes the pitfalls, the
blindspots and the aporias that characterize most African writings.
Consequently, this research discusses Soyinka’s two plays; Death and the King’s
Horseman and The Road asSoyinka’s
unconscious hatred for the West. Clearly, Africanwriters in an attempt
to counter Western perception of Africa as being uncultured unwittingly
enter the same conceptual web. To foreground such instances this
research deploys deconstructive method of reading to bring to the fore
some of the biased presentation of the Western world in all its fauna
and flora. Although, deconstructive approach is “esoteric”, it is
distinct in pointing out binary oppositions and how such binaries work
to undo any artistic creation. Consequently, this research is premised
on the following assumptions; that there is a biased portraiture of the
Western world; that Africa’s position as the Other in Western
metaphysics has been reversed to take the privileged position while the
West becomes a negation. What Derrida callssupplementation. This research stresses the creative freedom of the reader as well as the attempt to participate in and observe the play of possible meanings to which the texts give access.
CHAPTER ONE:
INTRODUCTION
1.0 Background
This thesis espouses and identifies gaps in critical comments made about the subject matter of Death and the King‟s Horseman and The Road. Consequently, the study analyses the various positions taken by critics concerning Soyinka‟s Death and the King‟s Horseman and The Road. Most
importantly, the study sought out the binaries that operate throughout
the plays so as to unequivocally bring to the fore some of the
prejudices that informed these plays. While the world view that Soyinka
presents in these plays gives us a better understanding of the trilogic
„essence‟ of Yoruba culture (the world of the living, the death and the
unborn) - what most critics believe to be his underlying thesis, this
tripartite relationship works as a form of higher truth (transcendental
signified); the philosophy that unsettles the Western view of Africa as
the other.
Therefore, in order to achieve the set objective this research evaluates Wole Soyinka‟s two plays; Death and the King‟s Horseman (1975) and The Road (1965)
from a deconstructive standpoint. Precisely, the research pits these
plays against Soyinka‟s submissions in his polemics i.e Myth, Literature and the African World. The
polemics presents Africa as a fount-head of all its culture. Besides,
the study looks out for instances where Soyinka‟s language occasionally spills or slips from
his control. To this end therefore, this study evaluates the typologies
enunciated in these works. It therefore follows that the main
trajectory of the discourse in this study is not simply what Soyinka
says but how he uses the same tool of the “adversary” as
Professor Yakubu Nasidi (2002:7) would say, to create a supposedly
African world where African plays reflect an ontologically African
reality different from the West.
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African literary elites have responded to the call by Africans to free the continent from all forms of colonial and slave mentality. While others have responded overtly, Soyinka does so covertly. As a result, over time, critical commentaries on his works have been on the mythical presentation of the Yoruba world as a microcosm of the entire African continent and the post-colonial experience. While these commentaries cannot be totally erased, this research exposes the pitfalls, the blindspots and the aporias that characterize most African writings. Consequently, this research discusses Soyinka’s two plays; .. english education project topics
A DECONSTRUCTIVE READING OF WOLE SOYINKA’S DEATH AND THE KING’S HORSEMAN AND THE ROAD