THE DISCOURSE OF IMPOSED IDENTITY IN ISIDORE OKPEWHO’S CALL ME BY MY RIGHTFUL NAME AND RICHARD WRIGHT’S NATIVE SON
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THE DISCOURSE OF IMPOSED IDENTITY IN ISIDORE OKPEWHO’S CALL ME BY MY RIGHTFUL NAME AND RICHARD WRIGHT’S NATIVE SON
PROJECT TOPICS AND MATERIALS ON THE DISCOURSE OF IMPOSED IDENTITY IN ISIDORE OKPEWHO’S CALL ME BY MY RIGHTFUL NAME AND RICHARD WRIGHT’S NATIVE SON
ABSTRACT
Identity studies in African-American literature, over time, have
depicted the interaction between black and white Americans and the
connectedness of black Americans to their root. This study has explored
the theme of identity as influenced by the milieu to represent the place
of African-Americans within the larger American society in relation to
racism, segregation, culture, migration and social equality. However,
most of the analyses of the theme of identity in African-American
studies have examined identity either in relation to racism or as a
reconnection to the African root. This study analyzes identity from
another dimension. It explores identity as an inevitable imposition, an
obligation made on the individual by forces, societal or supernatural,
which are beyond their control and from which they have no power of
escape, thus, making the individual a pharmakos of a destined self. In
analyzing Isidore Okpewho’s Call Me By My Rightful Name and Richard Wright’s Native Son,
this study, therefore, based on discourse analysisand identity theory,
sets out to investigate how social structures impact on the structures
of self, and the internal dynamics of self-processes as these impact on
social behavior in the micro and macro units of action within the texts
and its representation in language.
CHAPTER ONE
INTRODUCTION
BACKGROUND TO THE STUDY
African-American literature is dominated by the attempt of writers
of African descent to represent in narratives, the historical
experiences of African-Americans in a color-coded American culture. It
represents experiences spanning the period of traumatic slavery, through
the harsh Jim Crow racial segregation law, to the black exodus to
Africa initiated by Marcus Garvey and some other black activists.
African-American literature, therefore, depicts the interaction between
black and white Americans and the connectedness of black Americans to
their root. It explores themes that are influenced by the milieu that
gave rise to it. Such themes include the place of the African-Americans
within the larger American society, racism, segregation, culture,
migration and social equality. Also, within the African-American
discourse, the issue of identity has become a recurring problem for
individual American, African-American and the American nation at large.
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Identity studies in African-American literature, over time, have depicted the interaction between black and white Americans and the connectedness of black Americans to their root. This study has explored the theme of identity as influenced by the milieu to represent the place of African-Americans within the larger American society in relation to racism, segregation, culture, migration and social equality. However, most of the analyses of the theme of identity in African-American studies have examined identity either in relation to racism or as a reconnection to the African root. This study analyzes identity from another dimension. It explores identity as an inevitable imposition, an obligation made on the individual by forces, societal or supernatural, which are beyond their control and from which they have no power of escape, thus, making the individual a pharmakos of a destined self. In analyzing Isidore Okpewho’s Call Me By My Rightful Name and Richard Wright’s Native Son, this study, therefore, based on discourse analysisand identity theory, sets out to investigate how social structures impact on the structures of self, and the internal dynamics of self-processes as these impact on social behavior in the micro and macro units of action within the texts and its representation in language... english education project topics
THE DISCOURSE OF IMPOSED IDENTITY IN ISIDORE OKPEWHO’S CALL ME BY MY RIGHTFUL NAME AND RICHARD WRIGHT’S NATIVE SON