TRADITIONAL AESTHETICS TRANSFER AND THE AFRICAN NOVELISTS
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TRADITIONAL AESTHETICS TRANSFER AND THE AFRICAN NOVELISTS
PROJECT TOPICS AND MATERIALS ON TRADITIONAL AESTHETICS TRANSFER AND THE AFRICAN NOVELISTS
ABSTRACT
African novelists draw their raw materials from different sources,
some draw their raw materials from the folktales being told at night,
some writes about the village life before the Colonial masters while
some transfer the beauty in African tradition into their works. Laye’s
The African Child and Achebe’s Things fall Apart are embodiment of
African tradition as observed by other critics. Therefore this research
work examines the transfer of traditional aesthetics in The African
Child and Things fall Apart. This research work limits it’s analysis to
the traditional aesthetics in The African Child and Things fall Apart.
In conclusion, through the research findings, it has been discovered
that The African Child and Things fall Apart are loaded with the best of
traditional aesthetics. The two novelists through the use of
traditional aesthetics in their novels have been able to show to the
world, the beauty in African tradition.
CHAPTER ONE
1.1 INTRODUCTION
Reading through African novels, this research work was triggered by
a lot of borrowing from oral traditional aesthetics in to the written
form by African novelists. The transfer of traditional aesthetics is a
common feature in African novels. According to Bodunde (2001) “….
aesthetic transfer investigates the transformation of different aspects
of indigenous heritage….” (p.7)
African traditional setting in general comprises cultural
activities that constitute the concept of beauty or aesthetics. These
aesthetics are enriched in the belief of or custom handed down from one
generation to another. The aesthetics can be found in the people’s early
beliefs, religions, customs, festival, myth, legends, laws, folktales,
settings, communities, metaphysics and magical ceremonies of the people.
African novelists mostly source their raw materials from African
traditions. This is why the transferred aesthetics were formally oral.
TRADITIONAL AESTHETIC TRANSFER AND THE AFRICAN
NOVELISTS
Many African novelists owe much to traditional aesthetics. There
are many examples of African novelists that their works show evidence of
traditional aesthetic. Good examples are: Wole Soyinka, Amos Tutuola,
Sembene Ousmane and Ngugi wa Thiongo. These writers are African
novelists and they are competent in using traditional aesthetics in
their works. Amos Tutuola in his novel The Palm wine Drunkard makes use
of lots of traditional aesthetics. Amos Tutuola writes about African
cosmology, myth, legend, folktales, belief in supernatural powers and
the African sociology. The novel is rich in morals, rituals, and
entertainment. The novel brings out rich cultural elements Just as
Chinua Achebe and Camara Laye had brought about the cultural elements in
Things fall Apart and The African Child.
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African novelists draw their raw materials from different sources, some draw their raw materials from the folktales being told at night, some writes about the village life before the Colonial masters while some transfer the beauty in African tradition into their works. Laye’s The African Child and Achebe’s Things fall Apart are embodiment of African tradition as observed by other critics. Therefore this research work examines the transfer of traditional aesthetics in The African Child and Things fall Apart. This research work limits it’s analysis to the traditional aesthetics in The African Child and Things fall Apart. In conclusion, through the research findings, it has been discovered that The African Child and Things fall Apart are loaded with the best of traditional aesthetics. The two novelists through the use of traditional aesthetics in their novels have been able to show to the world, the beauty in African tradition... english education project topics
TRADITIONAL AESTHETICS TRANSFER AND THE AFRICAN NOVELISTS