THE AESTHETICS OF ADO-EKITI PRAISE POETRY
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THE AESTHETICS OF ADO-EKITI PRAISE POETRY
PROJECT TOPICS AND MATERIALS ON THE AESTHETICS OF ADO-EKITI PRAISE POETRY
ABSTRACT
Until now, the oral art of Ado-Ekiti people in Ekiti State has
not received considerable academic attention. The present research work
is borne of the strong need to explore a specific art form - the
traditional praise poetry among Ado-Ekiti people. The work focuses on
the richness and fascinating relations between aesthetic form and
content in the traditional praise poetry of Ado-Ekiti people. This
enables us to appreciate the aesthetics and intellectual patterning of
the art, along with its functional values in society. This thesis
therefore discusses the status of Yoruba aesthetics in traditional
Ado-Ekiti from a holistic perspective, with emphasis on how culture has
impacted positively on their well-being, although there are benefits
derived from their status in society. While caution must be exercised in
the quest for the foreign culture so that African cultural values can
be retained, and thus not destroyed under the guise of civilization. It
is in light of this, that research deployed the functionalist criticism
in doing justice to praise poetry.
CHAPTER ONE
1.0 INTRODUCTION
One of the most striking features of colonial administrations in
Africa is their failure to understand the culture of the people they
were privileged to govern. According to Nwosu
(1980:4), “the utter failure of most of the bureaucrats concerned
to grasp the realities of life of the various people they were
privileged to govern”. They had confused notions about what constituted
African aesthetics and failed to realize that the literature of Africa
does not begin with the written. As a matter of fact, oral tradition has
been in existence in African society since the beginning of the
continent. However, despite all the processes that colonization took to
erase African oral tradition, the form and the aesthetics is still
cherished among the people. Lindfors (2002:7-9) confirms the prevalence
of oral tradition in the works of African literary writers such as
Chinua Achebe, Wole Soyinka and D. O. Fagunwa which they drew from the
rich experience they acquired in their various cultures. Oral tradition
emanates from the people and is communicated among the people in oral
form. Oral tradition in Africa is best described as the literature of
the various traditional African societies. Oral tradition has also added
sample of documentary from African historians particularly for scholars
from the pre-colonial era. Jackson (1977:5) opine that Africans have
relied on these traditions to give shape to the past.
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Until now, the oral art of Ado-Ekiti people in Ekiti State has not received considerable academic attention. The present research work is borne of the strong need to explore a specific art form - the traditional praise poetry among Ado-Ekiti people. The work focuses on the richness and fascinating relations between aesthetic form and content in the traditional praise poetry of Ado-Ekiti people. This enables us to appreciate the aesthetics and intellectual patterning of the art, along with its functional values in society. This thesis therefore discusses the status of Yoruba aesthetics in traditional Ado-Ekiti from a holistic perspective, with emphasis on how culture has impacted positively on their well-being, although there are benefits derived from their status in society. While caution must be exercised in the quest for the foreign culture so that African cultural values can be retained, and thus not destroyed under the guise of civilization. It is in light of this, that research deployed the functionalist criticism in doing justice to praise poetry... english education project topics
THE AESTHETICS OF ADO-EKITI PRAISE POETRY